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Zakhmi (2020) Dev Kharoud, Anchal Singh Punjabi Movie Download
Genre: Drama, Punjabi
Director: Inderpal Singh
Actors: Anchal Singh, Dev Kharoud, Parminder Gill
Duration: 125 min
About Movie –Zakhmi is a 2020 Indian Punjabi-language Action drama film written and directed by Inderpal Singh. it stars Anchal Singh, Dev Kharoud, Parminder Gill. In This Movie Saira Malik sets out on a mission to avenge her husband’s murder, only to find out that there is a big conspiracy involved.
Zakhmi Movie Review
The film starring Zakhmi, Dev Kharud and Anchal Singh is Punjabi. Directed by Indrapal Singh, who has previously written successful films like Rupinder Gandhi-2, Dakuan Da Munda, Blkia and DSP Dev. The film is produced by Dev’s long-time collaborator Binnu Dhillon.
The film’s interesting tag line talks about the family (the family is also the strength and weakness of the person) and it also features an injured girl holding the hand of Dev Khaurd with a hockey stick.
The wounded are high on emotions and actions, the first film being directed by Indrapal Singh, who is associated with Dev Khard as a writer in his successful films. (Dakuan da Munda, Kalaaa)
So here came the 5th film of the year 2020, Dev Kharaud Star Wounded. There is an interesting line of action-packed films beginning in February with the exception of wounders, shooter, Ik Sandhu Hyunda Si and Valentine’s Day romantic release Zakhmi.
Zakhmi Punjabi Movie Download Link Is Here
The story is set in the backdrop of a common man’s struggle and the importance of family as well as their response to difficult situations is noted. Steve Khaird has established his name in Punjabi films with hit films. He is now among the top banker actors in the Punjabi film industry, realizing that his longtime brother Binnu Dhillon took credit for being a producer and can be seen shooting and promoting with Dev.
This is Indrapal Singh’s first directorial effort to connect with Dev in his earlier films like Dakuan da Munda, Blakia to name a few.
Dev plays the role of a Kharaud family man and easily pulls off some tough action sequences, Dev can see in his character a reflection of earlier films. Female pioneer Aanchal Singh, though in romantic scenes with Dev, is left out by dubbing Good and we feel the dialogue delivery takes a bit of work, the powerful dialogues feel the week. There are many negative characters in the wound due to its subject but Vicky Suvinder’s work is worth watching and worth watching.
The story is rather predictable, with some scenes being unnecessarily drawn in the first half and so-called comedy sequences failing to create laughter. The background score is very high and causes irritation and headache. A followup can create immediate silence and relief in scenes. Not much to complain about in cinematography, but what is the need for a 90 degree rotating screen? These shots were distracting rather than uplifting scenes.
The lip sync issue / delay is also noticeable and so the songs have sound mixing issues. Dolly does not seem to have processed the stereo up-mix well, which is causing echo issues. Further editing and song placement could have been improved further, the title songs rather break the pace of the film and the looks are forced into order.
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During the promotional tour, Dev Kharoud nearly stuck her neck, saying, “Ninety percent of the film is Tania’s.” Which it does, but the real protagonist for the audience is writer and director Jagdeep Sidhu, who does not fall into any kind of formulaic temptations. A ‘Thank You’ is meant to not subject the audience to a sudden dance track in a pub or item number or any such scary track. Speaking of which, B Prac’s music consists of five numbers that lead the story to a warm fuzzy feeling of love and not to shy away from it. Innocent love is often subject to ridicule, at least in the day and age of Tinder and OTT platforms, but the songs, like the script, tug at your heartbeat.
Now for Dev Kharoud, he is in form, as he usually is, but not one where he hides all the headlines, but also applauds Jagjit Sandhu as his friend. The boy, who is the hero’s best friend, still has brown shades as he tries to seduce the leading lady into whatever it takes, fruity, bangles, the promise of being a friend of beneficence or a deep pocket. The husband, she does not let the threat of slander inside, but of course, true love wins. There is also another point here that Dev Kharoud almost convinced the producers during the film’s promotional tour, “Pais por kara ke wethe.” He has kept that promise of time and money, at least for the audience.
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